Watchful Eye

Watchful Eye
Hello, I'm Lucas Gardner, (a.k.a. Watchful)
I'm an illustrator, designer, and filmmaker with a penchant for the graphical and grungy.
Welcome to my website—I made it just for you.
Portfolio
Contact
For any inquiries, do not hesitate to reach out to me at
[email protected]
ILLUSTRATIONS

Goodbye, 2024
Photoshop illustration, personal work.
High Seas, 2023
Photoshop collage, tribute piece.
Possession, 2022
Photoshop illustration, tribute piece.
Frankie, 2023
Photoshop collage, personal work.
NUH UH, 2024
Photoshop collage, tribute piece.
Untitled, 2022
Photoshop illustration, personal work.
Portrait of Artist in Delight, 2023
Photoshop illustration, personal work.
Mothers, 2024
Photoshop illustration, commission work.
Someone is at Your Front Door, 2023
Photoshop illustration, personal work.
Nosferatu, 2023
Photoshop illustration, personal work.
Hellboy, 2022
Photoshop illustration, tribute piece.
Untitled, 2024
Photoshop illustration, commission work.
Untitled, 2023
Photoshop illustration, commission work.
Untitled, 2024
Photoshop illustration, commission work.
Untitled, 2024
Photoshop illustration, commission work.
Return the Slab, 2021
Photoshop illustration, tribute piece.
Memory of Party, 2023
Photoshop collage, tribute piece.
Untitled, 2021
Photoshop illustration/Blender model, personal work.
Untitled, 2023
Photoshop illustration, personal work.
Starman, 2021
Photoshop illustration, tribute piece.
Occupied, 2021
Photoshop illustration, personal work.
Untitled, 2024
Photoshop illustration, commission work.
His Teeth Were Three Inches Long, 2022
Photoshop illustration, personal work.
Joker, 2021
Photoshop illustration, tribute piece.
Untitled, 2024
Photoshop illustration, commission work.
POSTERS

Dead People, 2024
Photoshop collage/illustration, personal work.
Scream, 2023
Photoshop collage, tribute piece.
The Thing, 2023
Photoshop collage, tribute piece.
Invaders From Within!, 2023
Photoshop collage, commission work.
Longlegs, 2024
Photoshop collage, tribute piece.
Terrifier, 2023
Photoshop collage/illustration, tribute piece.
The Texas Chainsaw Massacre, 2023
Photoshop collage, tribute piece.
Nosferatu, 2023
Photoshop collage, tribute piece.
Scanners, 2023
Photoshop collage/illustration, tribute piece.
Play Place, 2025
Photoshop collage, commission work.
Monsters by Mail, 2023
Photoshop collage/illustration, personal work.
Die Grimmkolonie, 2024
Photoshop collage/illustration, commission work.
Untitled, 2024
Photoshop collage/illustration, commission work.
It Came With The Snow, 2023
Photoshop illustration, personal work.
PHOTOGRAPHY

2025
Fuji x10
The Prisoners, 2025
Canon T7
Switzerland, 2023
Pentax K1000
2025
iPhone 14 Pro with macro lens
The Late Thompson Center, Chicago IL, 2023
iPhone 14 Pro
Blackbird, 2025
Canon T7
Close, 2023
Canon EOS Rebel
2023
iPhone 14 Pro
Chicago IL, 2025
iPhone 14 Pro
John Flansburgh with Stick, 2025
Fuji x10
2025
Canon T7
Washington DC, 2025
Canon T7
Open, 2023
Canon EOS Rebel
Switzerland, 2023
Canon EOS Rebel
2025
Canon T7
2025
Canon T7
FILM AND ANIMATION
I Wish I Could Forget You, June 2026
experimental horror, TRT 00:03:25
The internet was never truly a safe place to grow up, but we never had much of a choice. It was entertaining, even thrilling, to explore all the things you’d never see at home, never do yourself.
When I was young, too young, I found a video of a real human death. It was, and still is, hard to put into words what that did to me, what it meant for my developing mind. I’ve always been able to feel it there, its infinitely rippling effects, but I never did find the words. Instead, I created images.
I Wish I Could Forget You is a reminder that the dampening spray of our old, heavy clouds are always going to exist. They will come and go, but they are tethered to us.
Techniques used:
3D animation, analog processing
BUGGED, May 2026
horror comedy, TRT 00:02:21
It's hard to learn about yourself when the whole world seems to want you to learn about it instead.Spawned from the affects of noisy apartment living and influenced by my passion for entemology, visual effects, surrealism, and the flattened image, BUGGED started off as an experimental project that took on a more narrative shape as it progressed. Nonetheless, it was a fun opportunity to work with unusual set rigs and more complicated visual effects.
MAKING FACES, March 2026
experimental horror, TRT 00:04:30
Acceptable expression is something many people deal with--including myself. Often, I find my face motionless and irreproachably cold in times I have felt like expressing joy or sympathy or sorrow.Further still, the encroaching everpresence of technology within all aspects of life has imprinted upon me and many others the notion of being inadequate--falling short or sticking out in undesirable ways. Looking through technology to find meaningful expression has never felt right, but recently it has begun to feel much, much more wrong.Making Faces is about all of this. Taking influence from artists like Olivier de Sagazan and films like Dimensions of Dialogue, this film is my best attempt to express how I feel about expression.
CITY SAFE, January 2026
experimental, TRT 00:01:07
City is sweet and surreal and nice / city is cold and killed and infested with monsters to hurt us.
An experimental structural/collage/documentary film manifesting the fear, dread and rage that institutional, unconstitutional violence instills in its urban public—its victims. CITY SAFE is a maddened response to this ever-impending, ever-impinging threat.
Techniques used:
slow-shutter photography, thermal printing, direct animation






























































